Almost Foiled By A Cyclops

All I wanted to do was project some PowerPoint slides of planting combinations on the screen and teach my eager students to become brilliant designers. I had spent an hour picking out images that range from simple "harmony / contrast" studies to more complex garden ideas.

But instead, I was lured into a bloody battle between man and machine. Chaos erupted as I tried to get the goddamn computer to "see" the shiny cyclopean creature clinging to the ceiling, motionless, but whirring with delight. Step one, turn on computer; step two, turn on projector - zip, nothin', just 'HITACHI' in block letters on the screen. "Crap!" I muttered, barely audible to the class.

Okay, we'll just reverse the order of ops: Shut down projector, shut down computer. Step one: turn on projector; step two....... "DAMN! Come on, this is the high point of tonight's class!"

One knowledgeable student offers, "Press the F3 key!"

"No," offers another, "it's F7."

"No," thinks me, it's FU. One classmate suggests we all just gather around the 14" monitor that's connected to the computer at the lectern. So's I plugs in me trusty thumb-drive and the projector springs to life.

"What did you do?" everyone asked. Damned if I know. Here are a few of the images I showed them with a sprinkle of commentary. I'm feeling like a teacher today.

Green and Green
The pic at the top of this blog is a tight shot of dark green mondo grass (Ophiopogon japonicus) sharing the frame with golden moneywort (Lyssimachia nummularia 'Aurea'). Harmony? They're both green, one a dark conifer kinda green, the other a glowing disc of chartreuse. Very different leaf forms create the contrast. Nice marriage.

Pushing the Yellow

I love the contrast of forms--the chunky, sculptural agave with its gold slash along the edge and the vining extensions of licorice plant (Helichrysum petiolare 'Morning Light') reaching through. The gold marries the two decidedly different forms

Magic Wands

I pointed out to my students that the big event here is the rhythmic forms of blue lavandin (Lavandula 'Provence') and island alumroot (Heuchera maxima - CA native) rising above the foliage. Each has a small delicate flower, but their color and petal shapes set up a nice dynamic. The creamy alumroot seems so right with the soft lavender flowers.

One more?

Shocking, Simply Shocking!

This one got lots of oohs and aahs. I like killer combos that challenge the students. I had a few volunteers take over the lecture, point out which where contrasting characteristics and where there were harmonious connections. They did pretty well. The dark leaf shrub is Smoke Bush (Cotinus coggygria) and the delicate yellow-green critter is golden tansy (Tanicitum vulgare - not sure of the variety).

The class ended well. No shots were fired, I didn't need to be escorted from the class and everyone thought they'd learned something.

If you're in the Santa Barbara area and want a one-day intensive planting design class, join me at the Santa Barbara Botanic Garden on Saturday, April 4. More info at they're website and click on Classes.

Succulent Stew for Green Thumbs Sunday Dinner

Succulent Xmas detail
Originally uploaded by gardenwiseguy

After a last minute decision to engage in a holiday gift exchange with the immediate family (thought we'd be away, but that changed), I ran out to create a dish of succulents for my Spousal Support Unit (isn't that endearing?). She's recently begun collecting more of these critters and I thought I'd put my bold, professional design sense into this planting.

Thematically, I tried to use the same form a few times (the rosette) and also repeat some foliage colors between the various forms. So the burgundy shade repeats in the Sedum spurium 'Dragon's Blood' and the Echevaria, and the silvery-grey has a few appearances. The one big shift is the charteuse-colored Sedum.

She loved the gift and especially the book on succulents. Hope you all enjoyed your Christmas time and that your new year is joyful, peaceful and filled with chlorophyll.

Santa Barbara County Hort Society Tour

Plants! Where would we be without them? We’d be hungry, breathing toxic gases, sporting various sun-related skin conditions, and thoroughly perplexed with our irrational urge to visit the garden center on beautiful weekends.

I’m in a minor panic at the moment, sitting here at the keyboard putting together my thoughts before taking an enthusiastic group from the Santa Barbara County Horticultural Society (founded in 1869—who said we don’t have our stuff together?) through the Thayer’s garden. No offense to my other clients, but that’s still my fave rave of all the places I’ve done over the decades.

Who joins the Hort Society? Not to generalize too much, but it’s folks who just plain love plants—weird ones (the plants, not the people, although…) rare ones, drop-dead-gorgeous ones, odd ones, fat ones, skinny ones, plants that climb on rocks. Knowing from my own temperament, sometimes the possession of the plant overwhelms the necessity of fitting it into the overall design. “I just HAVE TO HAVE IT! I can always move it later” is the primal brain response from somewhere deep in the cortex.

I know I’ll be asked to “address” the folks before we turn them loose in the garden. So what gem can I impart that if they retain nothing else, will make this visit worthwhile? It’s my handy dandy system for taming potential chaos.

A couple of years ago I was asked to create design guidelines for the main meadow area at the Santa Barbara Botanic Garden. Honored? Stunned? Humbled? You bet. More on that another day.

The key idea was to tame the potential chaos of this grand palette by viewing the entire area as four or five major groupings of plants, each held together with a harmonizing theme.

Huh? Here’s an over simplification, but what if there were 100 varieties of plants to display. Do we combine them alphabetically by genus and species? Not likely. How about by the zip codes of the area in which they commonly occur? All the plants from downtown Santa Barbara’s 93101 would be in one group, the plants that naturally occur on the Mesa in another grouping…nah.

O.K. Back to the four or five major swaths, one with predominantly yellow and golden flowers, another made up of plants with a spiky form, another with gray and silver foliage. From a distance, there would be a sense of order due to the common visual characteristics, but if we move closer into the meadow, we’d see subtle and not so subtle contrasts between the various plants in each grouping.

Within each major block can be associations of plants of different species, but they’d all fit within the common theme. This allows a large variety of plants to be combined while simplifying the overall scale of the bed.

So what about trying this in your own garden, but scaled down to fit the spaces? I think the best example of this approach is the combination in the “Big Sur” garden at the Thayers (pictured above). Aeonium and Echevaria planted in blocks. Each has the same form and structure—flat succulent leaves held in a rosette. But the yellow-green of the slightly more robust Aeonium paired with the gray-green smaller Echevaria create a mass that from a distance, appears to be a single entity. But move in closer and there’s a subtle mix that provides another layer of complexity.

Too similar? I understand your concern, so we sparked things up by backing up that mass with Myer’s Asparagus, the common link in this grouping being the yellow-green foliage that complements the Aeonium, but with a radically different form—in this case, something like Rastafarian dreadlocks heading skyward.

Nuff for now. I can go on and on about how I visualize and compose with plants, but my hope is to give my readers a starting point for taming the one-of-each plantings I see in so many gardens owned by plant fanatics. Round up all the plants you’re thinking of using and see if you can categorize them by some common characteristics. Within those groupings, play with varying degrees of harmony and contrast.

Lemme know if this helps.